Update January 18, 2016: This news article calls the movie Son of Saul “Jewish Propaganda.” http://www.jewishpress.com/news/hungarians-denounce-oscar-nominated-son-of-saul-as-jewish-propaganda/2016/01/18/
I greatly admire the photo above which is shown at the top of this news article about the film entitled Son of Saul, which was directed by Laslo Nemes: http://www.nytimes.com/2015/12/15/movies/in-son-of-saul-laszlo-nemes-expands-the-language-of-holocaust-films.html?_r=0
In preparation for seeing the film, I read about it on the news article cited above.
The following quote is from the news article about the film:
In “Son of Saul” Laszlo Nemes Expands the Language of Holocaust Films
“Son of Saul” is filmed in long, restless takes, with no soundtrack besides the grim cacophony of a death camp — the slamming of doors, the sifting through possessions — and is set over the course of a day and a half in October 1944. It follows Saul Auslander, a Hungarian member of the Sonderkommando, the Jews forced to dispose of the human remains from the gas chambers, as he tries to rescue a dead boy’s body from meeting the fate of the ovens.
The film plays out on the face of Saul, a debut film performance by Geza Rohrig, a Hungarian poet whom Mr. Nemes met while studying at New York University’s film school. During the 28-day shoot, he had Mr. Rohrig rehearse for hours before filming takes, three to four minutes each, with a 35-millimeter camera placed about 20 inches from his face.
“I had to be superfocused, because every little bit of change” mattered, Mr. Rohrig said. “Like on the surface of water — even if you blow the water, you can immediately see, it shows everything.”
Mr. Rohrig, 48, who took a leave from his job teaching Jewish studies at a Brooklyn private school to promote the film, volunteers for a Jewish burial society. He spent months visiting Auschwitz as a student in Poland in the 1980s and wrote a book of poems about it. He said he regarded the Sonderkommando as victims, not perpetrators, adding that they were the only Jews in the camp to understand that they faced certain death and that his acting had to reflect that knowledge.